By Betty Herlina, Jurnalis, gerbangbengkulu.com

02 August 2021 - 09:57

A photo of Yuni Daud from the side, sitting while having a wooden palette on her lap. Her right hand is holding a paint brush pointed at the canvas with a painting of an old person sitting while leaning forward to his crutch.
Image description: A photo of Yuni Daud from the side, sitting while having a wooden palette on her lap. Her right hand is holding a paint brush pointed at the canvas with a painting of an old person sitting while leaning forward to his crutch.  ©

Documentation Yuni Daud, Betty Herlina

Yuni’s eyes stared at a painting object she made. There was an old man in a white hat sitting alone on a chair. Both of hands were holding armpit crutches. The head fell on the hands.  Even though she was bowed down and her mouth is covered by a mask, sadness seemed obvious.  Strong.  Deep in the silence as if lost. The surroundings are green with leaves and trees. 

“It’s not finished yet, the details still need to be tidied up,” Yuni told a person from discussedperempuan.com when the person visited her residence recently, while she was grabbing some acrylic paints and brushes. 

Her fingers are nimble mixing colors. She chose yellow and green to produce a lighter green. Yuni started to slowly brush on the canvas measuring 1x1 meter. Overwrite dark green with light green. For a moment, the leaves on the canvas came alive.  

Yuni Daud, as she is known, is a physically disabled painter from Bengkulu City. Painting with heart to produce a perfect work. Yuni has spent more than a month preparing the painting.  The plan is to fill the museum of one of Indonesia’s modern painting maestro, Basoeki Abdullah.  

Yuni accepted a confirmation of the invitation to fill the museum some time ago. Her heart is immeasurably happy. How is it possible that a female painter with a disability from a small town, such as Bengkulu, has a place. Bright, to be the trigger for Yuni’s dreams in the future.   

“Later I had a dream, remembering the man in this painting. I asked my friend to find out about this man. My friend said that the man was still alive and sold rujak (a mixture of sliced fruit and vegetables served with a spicy palm sugar dressing). If this painting is sold, I want to share it with him,” added the woman whose full name is Yuni Darlena. 

Yuni got the idea to paint the old man from a friend who works as a photographer. She received a candid photo of an event a few months ago. This is not the first time.  Yuni sometimes gets inspiration for painting ideas from photos sent by her friends. Except for the water. Memories of various water stories are still clearly stored in Yuni’s head.  

Yuni still keeps the memory of childhood, the cheerful girl who always bathed in the river when she came home. The economic limitations of her parents did not allow Yuni to visit the swimming pool every day. Bathing in the river was an alternative choice. She poured these memories into paintings of the sea, the morning dew or the river flowing between the fields. 

“I feel good to paint about water. To paint about childhood. I used to be able to swim, now I can't. Memories of the past are poured on the canvas,” Yuni recalled. 

Yuni's eyes looked far away, reminiscing about the doctor said she couldn't walk anymore. Instantly, the joy faded on her face. At that time, she was enjoying being a mother. She had to take care of her first daughter who was not even 4 years old. 

It is really difficult for anyone to accept the fact that they have to depend on a wheelchair for their life. Never comes into mind. Moreover, you have to live it.  But God willed otherwise. Yuni, who in 1998 was 28 years old, had to choose to be a person living in a wheelchair. After almost 2.5 years of struggling with various medications and surgeries. 

The infection that hit her spine after a fall left her paralyzed. Various treatments she took with her family still yielded no results. Until finally she had to prepare herself to accept the reality. Supporting the bones with a rigid corset so that the nerves are not painful and resting on a wheelchair. 

Yuni’s grief is not over yet. Spending the day in a wheelchair made divorce inevitable. The wedlock that was built with beautiful hopes, must be destroyed. 

"There’s no one to blame," she said in a muffled voice. 

For years, Yuni spent only taking care of children and accompanying her nephew’s growth and development days. Without anything meaningful. But apparently again, God had other plans.  Yuni who was born non-disabled started her struggle again to organize her heart and build self-confidence.

She believes God is The Utterly Just. The physical limitation she experienced actually whipped her to get up. She decided to start painting when she was 45 years old.

 An old dream that had been buried, came back to her. Her mother reminded her at the time. 

"You can paint. Why not do it again,” said Yuni repeating her mother's words. 

Over time, donations from friends from junior and senior high school also came. Yuni started holding various types of paints, brushes and canvases. Including the canvas tripod which was intentionally designed by one of her friends. A disability-friendly tripod.

A painting dominated by the colour blue, set underwater in the ocean with coral reefs and fish in various colours.
Image description: A painting dominated by the colour blue, set underwater in the ocean with coral reefs and fish in various colours.  ©

Doc. by Yuni Daud

A painting of a giant flower called Rafflesia Arnoldii, with red-coloured flower crowns with white dotted patterns.
Image description: A painting of a giant flower called Rafflesia Arnoldii, with red-coloured flower crowns with white dotted patterns. ©

Doc. by Yuni Daud

 A painting of a waterfall surrounded by trees flowing into a river with big rocks.
Image description: A painting of a waterfall surrounded by trees flowing into a river with big rocks. ©

Doc. by Yuni Daud

At first, Yuni didn't really understand what a good paint and brush looked like, gradually Yuni learned to be independent. Occasionally she opens the YouTube of painter Kevin Hill.  She learned how to combine colors, to create a “life” impression in paintings. Including how to draw water. 

Yuni chose the naturalist path.  Painting water and landscapes is her choice.  Basoeki Abdullah became one of the figures who inspired Yuni. It is said that every night little Yuni looked at Basoeki Abdullah's painting that adorned the calendar.  

“Until I fell asleep, I kept looking at it, in my heart saying, I can paint like this,” she recalls. 

She also often asks for criticism and input from painting maestro who was once the head of Taman Budaya in Bengkulu. Despite the harsh criticism she received, Yuni did not give up. She continued to paint and paint and never tire of asking for input. Yuni dreams of one day being able to share her knowledge of painting techniques with others. 

"There's no need to get lost in sadness. I believe God's plan is the best for me. Physical disability is not a barrier. Being a person with a disability is not to be pitied. But it's more about empathizing and giving equal space," she continued. 

Six years of struggling with painting. Yuni was able to break the stigma that people with disabilities are capable of working in a world dominated by masculinity. Fine art knows no boundaries.  Yuni's work is able to blend in with the works of non-disabled painters.  Following the success of the solo exhibition “Berkembanglah Puan (Do Develop, Women)” which was held at the end of 2017, Yuni is increasingly excited to hold a second solo exhibition. 

Her goal is to donate as much as possible to people in need.  Yuni's work began to be known by various circles. Someone came specifically to order a painting to decorate a hotel or office at a power plant in Bengkulu. 

Yuni was also involved in an exhibition held by Jaringan Pelukis Indonesia (the Indonesian Painters Network). Such as the PalemJambe art exhibition, then the painting exhibition by Jaringan Pelukis Indonesia in honor of RA Kartini “Mahakarya Wanita Indonesia: Habis Gelap Terbitlah Terang (Indonesian Women's Masterpieces: After Dark Comes Light” in Central Java, last April.  Yuni also participated in the Disability Mural Project with other disabled artists in Indonesia initiated by Jogja disability Arts (ID). 

“I prefer to paint because of my heart's desire, not because of a request. Painting because of a request must be like this and that, makes my heart depressed,“ she said. 

"Hopefully my paintings can be known to the world," dreams of Yuni who hopes that one day her paintings can be valued at the equivalent of an electric wheelchair.  "So, I don't need to be carried if I have to take a car," concluded Yuni. (betty herlina)