By UK/Indonesia 2016-18 team

23 November 2017 - 15:57

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Chris Foster

Abandon Normal Devices (AND) is a catalyst for new approaches to art-making and digital invention; commissioning groundbreaking projects that challenge the definitions of art and moving image. On 21 to 24 September, they held AND Festival 2017 at Peak District National Park, Castleton, UK.

Across four days, the festival saw a host of site-specific installations, world premieres, and performances take over the village of Castleton. This year’s programme will reveal the earth’s layers, exploring themes of verticality and deep time in a series of prophetic, provocative, and uncanny reflections on the earth.

Therefore, the festival act as a site for the symbolic and subconscious, where artists become archaeologists of the future unearthing rare sounds, simulated environments, and technological ruins. One of the names that participated in showcasing his work is Yogyakarta-based Ikbal Simamora Lubys.

Ikbal is a musician, guitar explorer, and sound artist. In addition to his academic study of classical music and classical guitar, he is also active on several arts and experimental music communities; he’s the guitarist of a heavy metal band named Sangkakala and also one-half of experimental unit Potro Joyo with Senyawa’s Wukir Suryadi.

For AND Festival, Ikbal exhibits an interactive instrument that he called The Hive. It is intended as a collection of buzzing resonant sounds that sustain a note with gamelan instrument blades. The blade sound is triggered by the vibration generated when people interact with the instrument by vibrating, scratching, hitting, or shaking the object, and the resonance of the buzz is captured inside a large rotating resonator installation.

©

Chris Foster

©

Chris Foster

©

Chris Foster

©

Chris Foster

©

Chris Foster

“We invite visitors to Peak Cavern to play with ‘kotekan’ or ‘klothekan’ or ‘tetabuhan’. This means playing rhythmic patterns freely or improvising by listening to each other and responding to other players resulting in a musical composition. We hope that people will adopt these different modes when playing The Hive,” explains Ikbal as quoted on the official site of AND Festival.

Inspiration to create The Hive emerged when Ikbal—alongside collaborator Tony Maryana—came to Peak Cavern for the first time. He saw a honeybee hanging in the mouth of the cave and spoke about the idea of a beehive. Tony was intrigued by the idea: “Particularly as the idea of a honeycomb sonically connected to ideas of buzzing in my mind.”

The Hive’s characteristics are also determined by the acoustics of the cave where the instrument is placed; so The Hive is a response by Ikbal and Tony towards Peak Cavern. “In my opinion, the sound of the blades meeting produces a beautiful sonic spectrum. At the same time, this sound has depth that can sometimes be very dark, mysterious, or it can be very bright. Quite a magical experience,” states Tony.